1The National Gallery Culture
Trafalgar Square's free treasure-house. Van Gogh's Sunflowers and the Turner room set up the trip's theme early.
London's great galleries are free, which changes how you plan them: no timed tickets to ration, just the discipline to give each collection a fresh morning. This plan opens at the National Gallery, spends its middle day on the Tate-to-Tate run, Turbine Hall first, then the Thames Clipper downriver to Turner's light at Tate Britain, and closes with the British Museum's Rosetta Stone before a slow Bloomsbury farewell. The boat ride between the Tates is half the point.
Trafalgar Square's free treasure-house. Van Gogh's Sunflowers and the Turner room set up the trip's theme early.
Wander the piazza and side streets, street performers under the portico are a genuine local ritual.
London's oldest wine bar, candlelit vaulted cellar by the river, order cheese and a glass of vintage port.
Get there before the coach crowds; the vast Turbine Hall installation changes yearly and is best seen from the mezzanine bridge.
Graze the stalls for lunch on the go before the boat, try the salt beef or a scotch egg from a market stall.
The riverboat glide past St Paul's and the Houses of Parliament is half the point of the Tate-to-Tate day.
The Clore Gallery's Turner bequest, watch how the light dissolves into abstraction in his late canvases.
A quiet stretch of embankment with views to the MI6 building and Vauxhall Bridge, good for decompressing after two big galleries.
Arrive at opening for the Rosetta Stone and Parthenon Marbles before the Great Court fills up.
A slow farewell wander through leafy squares and bookshops near the museum. Russell Square is the shadiest spot to sit a while.
Salt beef, a scotch egg, whatever the stalls are proudest of that morning, lunch on the hoof between the Tates.
London's oldest wine bar serves boards of cheese and cold cuts in a vaulted cellar that has not changed its mind since 1890.
St. JOHN invented modern British cooking's whole-animal creed; the roast bone marrow with parsley salad is the dish that started it.
The one London food rite this plan's dates miss; if your trip catches a Sunday, ask Robin to book a pub roast and it will pick the neighborhood right.
The permanent collections on this plan are all free, the National Gallery, both Tates and the British Museum. Special exhibitions are ticketed and often sell out, so check what is on and book those if tempted.
Strictly, nothing, which is the luxury of London. Book a table at St. JOHN for the last-day lunch, any special exhibitions you want, and in busy season reserve the free timed-entry slots the big museums sometimes run; the Thames Clipper is turn-up-and-tap.
Thames Clipper riverboats run between the two galleries' piers, Bankside and Millbank, every half hour or so; pay by contactless card on board. St Paul's and the Houses of Parliament glide past en route, which is why this plan treats the crossing as an exhibit.
No. Everything here is a walk, a short Tube hop or the riverboat, and central London driving is a punishment with a congestion charge on top.
For the four defining collections, yes, at one per session. The V&A, the Wallace Collection and the East End's galleries are what the longer version adds, and the city beyond the art belongs to the first-visit London itinerary.
The V&A's sculpture courts and cast halls deserve a morning, then the Wallace Collection's armour and Fragonards in a Marylebone mansion, two free museums nobody regrets.
Whitechapel Gallery, then the street-art lanes around Brick Lane and a first-Thursday evening if your dates land right, London's art present tense after three days of its past.
Give the National Gallery a second visit, it is free, that is the point, and let the Courtauld and Portrait Gallery stop competing for one afternoon.
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